I love Vancouver Island! Every part of the planet is uniquely wondrous but, in my mind and travels, you can’t beat Vancouver Island— including the Gulf Islands— for their variety of paintable landscapes, diverse ecosystems and enlivening experiences. Walk the shorelines, lean into a coastal wind, climb mountains, explore valleys and forests, paddle lakes and marshes, and discover so many natural places and interesting people. Do islands really attract eccentrics? Evidence suggests ‘yes’! This island has so many artists and creative souls that, if my work is not to your taste, you will surely find another Island artist whose work is!
So with that preamble to place, welcome to my web site. As an evolving, continually learning artist, my work will reflect a growing experience and the people I encounter along the way. Could you be one? Welcome!
Catherine drew as a child but postponed serious painting until her 50s. Self-taught in water media techniques, she has a Bachelor of Science (Geography). Prior to taking up her paint brush, she worked for Parks Canada at Pacific Rim National Park and in Calgary, and for the Government of British Columbia in Victoria. After leaving public service, she returned to art, inspired by the geography and natural and cultural history of Vancouver Island. She now interprets its landscapes in acrylic and watercolour media, with a focus on the changing moods and energies of the coast and its communities.
Catherine has lived in the Cowichan Valley since 2003. She was born in the British Columbia 'Interior' but is primarily a Vancouver Island girl, having lived at Great Central and Sproat lakes (both near Port Alberni), Nanaimo, Ucluelet, Campbell River, a short stint in Calgary, Alberta, then Victoria and now Maple Bay. Through her journeys across Vancouver Island and its coastlines, she remains in awe of its natural beauty and cultural history.
Inspired primarily by impressionism and the natural environment, Catherine also had a seminal experience when, in her teens, she met Canadian ‘Group of Seven’ artist, Arthur Lismer, who, besides being a well-known painter, was known for teaching and establishing children’s art centres. In encouraging Catherine, Mr. Lismer sparked a dream that one day she too would paint. In her words:
When I was fifteen, I worked at the original Wickaninnish Inn, located then at the south end of Long Beach on Wickaninnish Bay. Arthur Lismer and his wife, Esther, stayed there each summer in one of the Inn’s beachfront cabins. As a young waitress, I served their meals and, in small talk, told Mr. Lismer about my own drawings. He generously invited me to see the brush and ink paintings he’d done that summer, which were pinned around the walls of his cabin; he also showed me the brushes he used. Regrettably, I did not understand what a titan of Canadian art he was until I was much older. I also did not know then that that summer was to be his last at Wickaninnish, as Mr. Lismer died the following year in 1969.
As a postscript to this experience, twenty years later when I was working for Pacific Rim National Park, I had the pleasure to meet the Lismers’ daughter, Marjorie Bridges. We spent a day walking the beaches that her parents had enjoyed over so many summers there. I was happy to share how her father inspired me and to show her some of his painting locations around Wickaninnish and, most notably, his namesake ‘Lismer’ Bay.
My intention is to explore painting with a light hand and a limited palette. While my work is primarily representational, it is not to replicate a place exactly. Instead, my paintings try to capture a personal feeling of a place I know, with a specific memory or story in mind. As a developing artist, and with each new piece, I am learning to paint and live more fully in my own creative voice.